On the Complementarity between Online and Offline Music Consumption: The Case of Free Streaming
1
DS -
Direction Scientifique
2 MARSOUIN - Môle Armoricain de Recherche sur la SOciété de l'information et des usages d'INternet
3 ICI - Laboratoire Information, Coordination, Incitations
4 CREM - Centre de recherche en économie et management
5 LR-MOS - La Rochelle - Management, Organisation & Société
6 CEPN - Centre d'Economie de l'Université Paris Nord
2 MARSOUIN - Môle Armoricain de Recherche sur la SOciété de l'information et des usages d'INternet
3 ICI - Laboratoire Information, Coordination, Incitations
4 CREM - Centre de recherche en économie et management
5 LR-MOS - La Rochelle - Management, Organisation & Société
6 CEPN - Centre d'Economie de l'Université Paris Nord
Sylvain Dejean
- Fonction : Auteur
- PersonId : 3251
- IdHAL : sylvain-dejean
- ORCID : 0000-0003-3736-4599
- IdRef : 134329309
François Moreau
- Fonction : Auteur
- PersonId : 10820
- IdHAL : francois-moreau
- ORCID : 0000-0002-5818-5680
- IdRef : 170623335
Résumé
From a representative survey of 2,000 individuals, we study whether consumption of music through streaming services, like Spotify or YouTube, is a substitute or a complement to physical music consumption modes, such as CDs and live music. Controlling for the taste for music, various socio-demographic characteristics and the usual determinants of music consumption either offline (radio, TV, friends/relatives) or online (online recommendations, social networks), our results show that free music streaming (where the consumer does not possess the music but only has access to it) has no significant effect on CD sales and affects positively live music attendance, but only for national or international artists who are more likely to be available on streaming services.
Domaines
Sciences de l'Homme et SociétéFormat du dépôt | Notice |
---|---|
Type de dépôt | Article dans une revue |
Titre |
en
On the Complementarity between Online and Offline Music Consumption: The Case of Free Streaming
|
Résumé |
en
From a representative survey of 2,000 individuals, we study whether consumption of music through streaming services, like Spotify or YouTube, is a substitute or a complement to physical music consumption modes, such as CDs and live music. Controlling for the taste for music, various socio-demographic characteristics and the usual determinants of music consumption either offline (radio, TV, friends/relatives) or online (online recommendations, social networks), our results show that free music streaming (where the consumer does not possess the music but only has access to it) has no significant effect on CD sales and affects positively live music attendance, but only for national or international artists who are more likely to be available on streaming services.
|
Auteur(s) |
Godefroy Dang Nguyen
1, 2, 3
, Sylvain Dejean
4, 5
, François Moreau
6
1
DS -
Direction Scientifique
( 201420 )
- Technopôle Brest Iroise - CS 83818 - 29238 BREST Cedex 3
- France
2
MARSOUIN -
Môle Armoricain de Recherche sur la SOciété de l'information et des usages d'INternet
( 58998 )
- Technopôle Brest Iroise - CS 83818 - 29238 BREST Cedex 3
- France
3
ICI -
Laboratoire Information, Coordination, Incitations
( 10889 )
- 12 rue de Kergoat CS 93837 29238 Brest cedex 3
- France
4
CREM -
Centre de recherche en économie et management
( 894 )
- 7 place Hoche, BP 86514
35065 RENNES CEDEX
- France
5
LR-MOS -
La Rochelle - Management, Organisation & Société
( 110711 )
- France
6
CEPN -
Centre d'Economie de l'Université Paris Nord
( 147976 )
- UFR de Sciences Economiques, Université Paris 13, 99 avenue Jean-Baptiste Clément, F-93430, Villetaneuse.
- France
|
Langue du document |
Anglais
|
Vulgarisation |
Non
|
Comité de lecture |
Oui
|
Audience |
Internationale
|
Date de publication |
2014
|
Volume |
38
|
Numéro |
4
|
Page/Identifiant |
315-330
|
Nom de la revue |
|
Domaine(s) |
|
Projet(s) ANR |
|
Mots-clés |
en
Music consumption, Streaming, Substitutability
|
DOI | 10.1007/s10824-013-9208-8 |
Loading...