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Communication Dans Un Congrès Année : 2015

The composer as evaluator: reflections on evaluation and the creative process.

Résumé

In an autonomous field such as that of contemporary music, or new music as it is commonly called in the American context, it is the creators themselves who are called on to evaluate the work of their peers. This evaluative work is familiar to academics, who are accustomed to a system of peer review, and has been the subject of sociological study. However, the interaction between this evaluative work and the creative process itself has not been investigated. The present study looks at how the creative identity of an individual is forged in part by the evaluative work he or she accomplishes, both formally, in juries and committees, and informally, in statements intended for his or her peers via platforms such as Facebook or the blogosphere. Our aim is to understand how composers of contemporary music incorporate evaluative work – a service required of them by their field – into their creative process over the long term.
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Dates et versions

hal-01570999 , version 1 (01-08-2017)

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  • HAL Id : hal-01570999 , version 1

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Annelies Fryberger. The composer as evaluator: reflections on evaluation and the creative process.. Tracking the Creative Process in Music, Oct 2015, Paris, France. ⟨hal-01570999⟩
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