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Communication Dans Un Congrès Année : 1998

The fashion for Flemish harpsichords in France: a new appreciation

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Résumé

The long-standing fashion in Paris for instruments made in Antwerp is already well known through many texts, archival documents, and the examination of a large numbers of instruments. Here new documents are presented concerning Flemish instruments in the hands of French musicians and patrons (Marie-Françoise Certain, Elisabeth Jacquet de La Guerre, Pierre Crozat). Ruckers instruments sold in Paris sales during the eighteenth century are revisited and Flemish instruments in the Conservatoire in Paris (1793-1822) are studied from the point of view of heritage, conservation and pedagogy.
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halshs-00117525 , version 1 (22-06-2016)

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  • HAL Id : halshs-00117525 , version 1

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Florence Gétreau. The fashion for Flemish harpsichords in France: a new appreciation. Kielinstrumente aus der Werkstatt Ruckers zu Konzeption, Bauweise und Ravalement sowie Restaurierung und Konservierung, Händel-Haus Halle, Sep 1996, Halle, Germany. pp.114-135. ⟨halshs-00117525⟩
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