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            <title xml:lang="fr">La tentation munichoise. Sur l'émigration des musiciens flamands et liégeois durant la seconde moitié du 16e siècle</title>
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            <note type="commentary">Traduction française de l'article : " Die Münchner Versuchung. Zur Emigration flämischer und Lütticher Musiker in der zweiten Hälfte des 16. Jahrhunderts ", In GÖLLNER T. et SCHMID B. (éd.), Die Münchner Hofkapelle des 16. Jahrhunderts im europäischen Kontext : Bericht über das internationale Symposion der Musikhistorischen Kommission der Bayerischen Akademie der Wissenschaften in Verbindung mit der Gesellschaft für Bayerische Musikgeschichte, Munich (2-4 août 2004), München, Verlag der Bayerischen Akademie der Wissenschaften, 2006, p. 135-142 http://halshs.archives-ouvertes.fr/halshs-00269922</note>
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                <term xml:lang="fr">Duché de Bavière</term>
                <term xml:lang="fr">Pays-Bas du sud</term>
                <term xml:lang="fr">Liège</term>
                <term xml:lang="fr">Belgique</term>
                <term xml:lang="fr">échanges culturelles</term>
                <term xml:lang="fr">émigration</term>
                <term xml:lang="fr">chapelles</term>
                <term xml:lang="fr">chantres</term>
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              <p>[Extrait du texte] Cet article se limitera à dessiner à grands traits les conditions des échanges musicaux des Pays-Bas du Sud et de la principauté de Liège vers le duché de Bavière, à donner les raisons de l'unilatéralisme de ces échanges et finalement à tenter de montrer en quoi la chapelle munichoise, véritable emblème d'une supposée perfection artistique durant la seconde moitié du 16e siècle, n'a pu servir de modèle aux Pays-Bas du Sud et dans la principauté de Liège.</p>
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