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                <term xml:lang="en">immigration</term>
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              <p>The Palais de la Porte Dorée in Paris has always been a museum, but its collections and their interpretation varied trough time : colonies, overseas, remote arts and finally immigration. These patrimonial changes and requalification provoked conflicts focused either on the collections or the building built in 1931 for the colonial exhibition. Contests relates to the patrimonial use of the building : strikes of employees in 2003 when the National Museum of Arts from Africa and Oceania closed ; demonstrations of outside activists ; controversies and resignations of intellectuals in 2007 when the Palais became the National City of the History of Immigration. Other contests use heritage not as an issue but as a lever to defend a cause : the independence of former colonies or the regularisation of illegal immigrants with a particular focus on the sit-in by illegal “worker strikers” during winter 2010. The authors try to grasp the originality of contestation tools belonging to the heritage area - support by photographers and illustrators, publication of books, exhibitions created by activists or permanent collection by the museum – and to tackle the nearly immediate capacity to “digest” of present events via the heritage paradigm.</p>
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              <p>Si le Palais de la Porte Dorée, à Paris, a toujours abrité un musée, ses contenus et leur interprétation ont varié : colonies, outre-mer, arts lointains puis immigration. Ces évolutions patrimoniales n’ont pas été sans heurts, que la requalification porte sur les collections ou le bâtiment, construit en 1931 pour l’Exposition coloniale. Certaines contestations visent les destinations patrimoniales de l’édifice : grèves des personnels, pour la fermeture du Musée national des arts d’Afrique et d’Océanie (2003) ; manifestations de militants extérieurs, controverses et démissions d’intellectuels, lors de l’installation de la Cité nationale de l’Histoire de l’immigration (2007). D’autres contestations ne prennent plus ce patrimoine pour enjeu mais comme levier pour servir une cause : indépendance d’anciennes colonies ; régularisation d’immigrés « sans-papiers ». L’occupation des lieux par des « travailleurs grévistes sans-papiers » durant l’hiver 2010 est au centre de l’attention, à travers l’analyse de l’originalité d’outils de contestation relevant de la sphère patrimoniale : accompagnement de la lutte par des photographes ou illustrateurs, édition d’ouvrages, montage d’expositions par des militants, collecte en continu par le musée… Est ici interrogée la capacité quasi immédiate de « digestion » des événements présents par le paradigme patrimonial.</p>
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