<?xml version="1.0" encoding="utf-8"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:hal="http://hal.archives-ouvertes.fr/" xmlns:gml="http://www.opengis.net/gml/3.3/" xmlns:gmlce="http://www.opengis.net/gml/3.3/ce" version="1.1" xsi:schemaLocation="http://www.tei-c.org/ns/1.0 http://api.archives-ouvertes.fr/documents/aofr-sword.xsd">
  <teiHeader>
    <fileDesc>
      <titleStmt>
        <title>HAL TEI export of halshs-03951240</title>
      </titleStmt>
      <publicationStmt>
        <distributor>CCSD</distributor>
        <availability status="restricted">
          <licence target="https://creativecommons.org/publicdomain/zero/1.0/">CC0 1.0 - Universal</licence>
        </availability>
        <date when="2026-05-16T00:56:56+02:00"/>
      </publicationStmt>
      <sourceDesc>
        <p part="N">HAL API Platform</p>
      </sourceDesc>
    </fileDesc>
  </teiHeader>
  <text>
    <body>
      <listBibl>
        <biblFull>
          <titleStmt>
            <title xml:lang="fr">Le Festival de Cannes et la montée du cinéma d’auteur à l’ère de la mondialisation</title>
            <author role="aut">
              <persName>
                <forename type="first">Olivier</forename>
                <surname>Thévenin</surname>
              </persName>
              <email type="md5">670fc0d133dce9b5df81ccd115ca3bee</email>
              <email type="domain">sorbonne-nouvelle.fr</email>
              <idno type="idhal" notation="string">olivier-thevenin</idno>
              <idno type="idhal" notation="numeric">9332</idno>
              <idno type="halauthorid" notation="string">29987-9332</idno>
              <idno type="IDREF">https://www.idref.fr/075892391</idno>
              <idno type="ORCID">https://orcid.org/0000-0002-1686-1652</idno>
              <idno type="VIAF">https://viaf.org/viaf/7617493</idno>
              <idno type="ISNI">http://isni.org/isni/0000000047958276</idno>
              <affiliation ref="#struct-1004692"/>
              <affiliation ref="#struct-52995"/>
            </author>
            <editor role="depositor">
              <persName>
                <forename>Olivier</forename>
                <surname>Thévenin</surname>
              </persName>
              <email type="md5">670fc0d133dce9b5df81ccd115ca3bee</email>
              <email type="domain">sorbonne-nouvelle.fr</email>
            </editor>
            <funder ref="#projanr-54996"/>
          </titleStmt>
          <editionStmt>
            <edition n="v1" type="current">
              <date type="whenSubmitted">2024-10-13 23:23:14</date>
              <date type="whenModified">2025-02-25 15:36:12</date>
              <date type="whenReleased">2024-10-14 16:00:51</date>
              <date type="whenProduced">2021-01-02</date>
              <date type="whenEndEmbargoed">2024-10-13</date>
              <ref type="file" target="https://shs.hal.science/halshs-03951240v1/document">
                <date notBefore="2024-10-13"/>
              </ref>
              <ref type="file" subtype="author" n="1" target="https://shs.hal.science/halshs-03951240v1/file/Preprint%20La%20monte%CC%81e%20du%20cine%CC%81ma%20d%27auteur.pdf" id="file-4734304-4121047">
                <date notBefore="2024-10-13"/>
              </ref>
            </edition>
            <respStmt>
              <resp>contributor</resp>
              <name key="443072">
                <persName>
                  <forename>Olivier</forename>
                  <surname>Thévenin</surname>
                </persName>
                <email type="md5">670fc0d133dce9b5df81ccd115ca3bee</email>
                <email type="domain">sorbonne-nouvelle.fr</email>
              </name>
            </respStmt>
          </editionStmt>
          <publicationStmt>
            <distributor>CCSD</distributor>
            <idno type="halId">halshs-03951240</idno>
            <idno type="halUri">https://shs.hal.science/halshs-03951240</idno>
            <idno type="halBibtex">thevenin:halshs-03951240</idno>
            <idno type="halRefHtml">&lt;i&gt;Loisir et Société / Society and Leisure&lt;/i&gt;, 2021, 44 (1), pp.37-46. &lt;a target="_blank" href="https://dx.doi.org/10.1080/07053436.2021.1899395"&gt;&amp;#x27E8;10.1080/07053436.2021.1899395&amp;#x27E9;&lt;/a&gt;</idno>
            <idno type="halRef">Loisir et Société / Society and Leisure, 2021, 44 (1), pp.37-46. &amp;#x27E8;10.1080/07053436.2021.1899395&amp;#x27E9;</idno>
            <availability status="restricted">
              <licence target="https://creativecommons.org/publicdomain/zero/1.0/">CC0 1.0 - Universal<ref corresp="#file-4734304-4121047"/></licence>
            </availability>
          </publicationStmt>
          <seriesStmt>
            <idno type="stamp" n="SHS">Sciences de l'Homme et de la Société</idno>
            <idno type="stamp" n="CNRS">CNRS - Centre national de la recherche scientifique</idno>
            <idno type="stamp" n="UNIV-PARIS3">Université Sorbonne Nouvelle</idno>
            <idno type="stamp" n="AO-SOCIOLOGIE">Archives ouvertes de la Sociologie</idno>
            <idno type="stamp" n="SOCIOLOGIE">SOCIOLOGIE</idno>
            <idno type="stamp" n="CERLIS" corresp="UNIV-PARIS3">Centre de Recherche sur les Liens Sociaux - UMR 8070</idno>
            <idno type="stamp" n="CAMPUS-AAR">Campus-AAR</idno>
            <idno type="stamp" n="AAI">Collection LaCAS - Open Archives in Language and Cultural Area Studies</idno>
            <idno type="stamp" n="UNIV-PARIS">Université Paris Cité</idno>
            <idno type="stamp" n="UNIVERSITE-PARIS" corresp="UNIV-PARIS">Université Paris Cité</idno>
            <idno type="stamp" n="UP-SOCIETES-HUMANITES">Université Paris Cité - Faculté Sociétés et Humanités</idno>
            <idno type="stamp" n="ANR">ANR</idno>
          </seriesStmt>
          <notesStmt>
            <note type="audience" n="2">International</note>
            <note type="popular" n="0">No</note>
            <note type="peer" n="1">Yes</note>
          </notesStmt>
          <sourceDesc>
            <biblStruct>
              <analytic>
                <title xml:lang="fr">Le Festival de Cannes et la montée du cinéma d’auteur à l’ère de la mondialisation</title>
                <author role="aut">
                  <persName>
                    <forename type="first">Olivier</forename>
                    <surname>Thévenin</surname>
                  </persName>
                  <email type="md5">670fc0d133dce9b5df81ccd115ca3bee</email>
                  <email type="domain">sorbonne-nouvelle.fr</email>
                  <idno type="idhal" notation="string">olivier-thevenin</idno>
                  <idno type="idhal" notation="numeric">9332</idno>
                  <idno type="halauthorid" notation="string">29987-9332</idno>
                  <idno type="IDREF">https://www.idref.fr/075892391</idno>
                  <idno type="ORCID">https://orcid.org/0000-0002-1686-1652</idno>
                  <idno type="VIAF">https://viaf.org/viaf/7617493</idno>
                  <idno type="ISNI">http://isni.org/isni/0000000047958276</idno>
                  <affiliation ref="#struct-1004692"/>
                  <affiliation ref="#struct-52995"/>
                </author>
              </analytic>
              <monogr>
                <idno type="halJournalId" status="VALID">105734</idno>
                <idno type="issn">0705-3436</idno>
                <idno type="eissn">1705-0154</idno>
                <title level="j">Loisir et Société / Society and Leisure</title>
                <imprint>
                  <publisher>Taylor and Francis</publisher>
                  <biblScope unit="volume">44</biblScope>
                  <biblScope unit="issue">1</biblScope>
                  <biblScope unit="pp">37-46</biblScope>
                  <date type="datePub">2021-01-02</date>
                </imprint>
              </monogr>
              <idno type="doi">10.1080/07053436.2021.1899395</idno>
            </biblStruct>
          </sourceDesc>
          <profileDesc>
            <langUsage>
              <language ident="fr">French</language>
            </langUsage>
            <textClass>
              <keywords scheme="author">
                <term xml:lang="en">cultural sociology</term>
                <term xml:lang="en">globalization</term>
                <term xml:lang="en">history</term>
                <term xml:lang="en">Festival studies</term>
                <term xml:lang="en">economy of singularities</term>
                <term xml:lang="fr">sociologie de la culture, globalisation, histoire, festivals de Cannes, économie du cinéma</term>
              </keywords>
              <classCode scheme="halDomain" n="shs.socio">Humanities and Social Sciences/Sociology</classCode>
              <classCode scheme="halDomain" n="shs">Humanities and Social Sciences</classCode>
              <classCode scheme="halDomain" n="shs.info">Humanities and Social Sciences/Library and information sciences</classCode>
              <classCode scheme="halTypology" n="ART">Journal articles</classCode>
              <classCode scheme="halOldTypology" n="ART">Journal articles</classCode>
              <classCode scheme="halTreeTypology" n="ART.ARTREV">Journal articles - Review article</classCode>
            </textClass>
            <abstract xml:lang="en">
              <p>The Cannes International Film Festival plays an important role in the process of recognition of cinematographic creation and for the economy of cultural industries. It also focuses attention by creating the event while redefining over the course of its editions many of the usual markers of the identity of “cinéma d’auteur.” Starting from a diachronic perspective, the author details in this article the genesis and structural evolution of its organization over time, on the one hand, by approaching it as an analyzer of complex artistic, cultural, media, and economic trends, and, on the other hand, by focusing his analyses on the mediations and social dynamics of the economy of singularities.</p>
            </abstract>
            <abstract xml:lang="fr">
              <p>Le festival international du film de Cannes joue un rôle important dans le processus de reconnaissance de la création cinématographique et pour l’économie des industries culturelles. Il concentre aussi l’attention en créant l’événement tout en redéfinissant au fur et à mesure de ses éditions nombre des marqueurs habituels de l’identité du cinéma « d’auteur ». Partant d’une perspective diachronique, nous détaillerons dans cet article la genèse et l’évolution structurelle de son organisation au fil du temps, d’une part en l’abordant comme un analyseur de tendances complexes sur les plans artistique, culturel, médiatique et économique, et d’autre part en centrant nos analyses sur les médiations et les dynamiques sociales de l’économie des singularités.</p>
            </abstract>
          </profileDesc>
        </biblFull>
      </listBibl>
    </body>
    <back>
      <listOrg type="structures">
        <org type="laboratory" xml:id="struct-1004692" status="VALID">
          <idno type="IdRef">060766034</idno>
          <idno type="ISNI">0000 0000 8870 1178</idno>
          <idno type="RNSR">200212732K</idno>
          <idno type="ROR">https://ror.org/01wcaw014</idno>
          <idno type="Wikidata">Q2945455</idno>
          <orgName>Centre de recherche sur les liens sociaux</orgName>
          <orgName type="acronym">CERLIS - UMR 8070</orgName>
          <date type="start">2020-01-01</date>
          <desc>
            <address>
              <addrLine>Centre Universitaire des Saints-Pères 45 rue des Saints-Pères 75270 Paris cedex 06</addrLine>
              <country key="FR"/>
            </address>
            <ref type="url">http://www.cerlis.eu/</ref>
          </desc>
          <listRelation>
            <relation name="UMR 8070" active="#struct-52995" type="direct"/>
            <relation name="UMR8070" active="#struct-441569" type="direct"/>
            <relation name="UMR 8070" active="#struct-557826" type="direct"/>
          </listRelation>
        </org>
        <org type="institution" xml:id="struct-52995" status="VALID">
          <idno type="IdRef">027361837</idno>
          <idno type="ISNI">0000 0004 1937 060X </idno>
          <idno type="ROR">https://ror.org/03z6jp965</idno>
          <orgName>Université Sorbonne Nouvelle - Paris 3</orgName>
          <date type="start">1970-01-01</date>
          <desc>
            <address>
              <addrLine>17, rue de la Sorbonne - 75231 Paris cedex 05</addrLine>
              <country key="FR"/>
            </address>
            <ref type="url">http://www.univ-paris3.fr/</ref>
          </desc>
        </org>
        <org type="regroupinstitution" xml:id="struct-441569" status="VALID">
          <idno type="IdRef">02636817X</idno>
          <idno type="ISNI">0000000122597504</idno>
          <idno type="ROR">https://ror.org/02feahw73</idno>
          <orgName>Centre National de la Recherche Scientifique</orgName>
          <orgName type="acronym">CNRS</orgName>
          <date type="start">1939-10-19</date>
          <desc>
            <address>
              <country key="FR"/>
            </address>
            <ref type="url">https://www.cnrs.fr/</ref>
          </desc>
        </org>
        <org type="institution" xml:id="struct-557826" status="VALID">
          <idno type="IdRef">236453505</idno>
          <idno type="ISNI">0000 0004 7885 7602</idno>
          <idno type="ROR">https://ror.org/05f82e368</idno>
          <orgName>Université Paris Cité</orgName>
          <orgName type="acronym">UPCité</orgName>
          <date type="start">2020-01-01</date>
          <desc>
            <address>
              <addrLine>85 boulevard Saint-Germain75006 Paris</addrLine>
              <country key="FR"/>
            </address>
            <ref type="url">https://u-paris.fr/</ref>
          </desc>
        </org>
      </listOrg>
      <listOrg type="projects">
        <org type="anrProject" xml:id="projanr-54996" status="VALID">
          <idno type="anr">ANR-10-LABX-0086</idno>
          <orgName>ICCA</orgName>
          <desc>Cultural industries and artistic creation. Digital and Internet</desc>
          <date type="start">2010</date>
        </org>
      </listOrg>
    </back>
  </text>
</TEI>