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            <title xml:lang="en">Faulty Woolf? Exploring the Fault Lines of Virginia Woolf’s Heritage in the British Statue Wars</title>
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                <term xml:lang="en">Virginia Woolf</term>
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                <term xml:lang="en">memorialization</term>
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                <term xml:lang="en">feminism</term>
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              <p>This article explores how Virginia Woolf has become the figurehead of contradictory positions that embody the various political fault lines polarising the British public sphere. Focusing on the campaigns for women statues, and on the statue wars Woolf was drawn into in 2022, it examines the articulation between Woolf’s contemporary reception and the intersectional fractures of gender, class, and race that pervade British culture in the age of #MeToo, #BlackLivesMatter, #TransLivesMatter. It thus offers a reflection on the fault lines that divide literary heritage and cultural, or political, zeitgeist, by addressing the contemporary crystallization around the so-called ‘cancel culture’. Finally, it evokes how Woolf’s own take on statues and the memorialisation of ‘great (wo)men’ sheds an ambivalent light on current debates.</p>
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              <p>Cet article explore comment Virginia Woolf est devenue la figure de proue de positions contradictoires, personnifiant les différentes lignes de faille politiques qui parcourent la sphère publique au Royaume-Uni. En se concentrant sur les campagnes en faveur des statues de femmes et sur la guerre des statues à laquelle Woolf a été mêlée en 2022, on y examine l’articulation entre la réception contemporaine de l’autrice et les fractures intersectionnelles du genre, de la classe et de la race qui imprègnent la culture britannique à l’ère de #MeToo, #BlackLivesMatter, #TransLivesMatter. Ce faisant cet article propose une réflexion sur les lignes de faille qui divisent héritage littéraire et zeitgeist culturel et politique, en s’intéressant à la cristallisation qui s’opère autour de la prétendue « cancel culture ». Enfin, il évoque comment la réflexion que Virginia Woolf mène sur les statues et la commémoration des « grands hommes », voire des « grandes femmes », éclaire, non sans ambivalence, nos débats contemporains.</p>
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