“And Yet: Figuring Global Trauma in Ruth Ozeki’s A Tale for the Time Being”
Catherine Bernard
Susana Onega and Jean-Michel Ganteau (eds.). Victimhood and Vulnerability in 21st Century Fiction , Routledge, pp.21-34, 2017
Book sections
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« Décloisonner l’affect / repenser l’avant-garde avec Roger Fry et le Bloomsbury Group : le cas des Ateliers Omega »
Catherine Bernard
Marie-Paule Berranger, Colette Camelin 1913 cent ans après. Enchantements et désenchantements , Hermann, pp.461-476, 2015
Book sections
halshs-01372945v1
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Virginia Woolf, Essais choisis, traduction et édition critique
Catherine Bernard
Gallimard, 2015
Books
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“Between Melancholy and Utopia: the Politics of Nature in Ali Smith’s tetralogy (2016-2020),” atelier “Countdown to Brexit: community and body politics in contemporary British fiction and visual arts”
Catherine Bernard
European Society for the Study of English , Aug 2022, Lyon, France
Conference papers
hal-03979028v1
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“Sensing Aesthetics: Rethinking Artistic Reception with Installation Art and Performance,
Catherine Bernard
“Reception: Contemporary Perspectives" , Sorbonne Université, Jun 2021, Paris, France
Conference papers
hal-03979046v1
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Recension: Emily Horton, Philip Tew et Leigh Wilson (eds.), The 1980s. A Decade of Contemporary British Fiction (Londres : Bloomsbury, 2014).
Catherine Bernard
2014, pp.n° 67/3, 381-382
Other publications
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Recension: Laura Ma Lojo Rodriguez (ed.), Moving across a Century. Women’s Short Fiction from Virginia Woolf to Ali Smith. (Bern : Peter Lang, 2013) ; Nick Turner, Post-War British Women Novelists and the Canon (Londres : Continuum, 2010)
Catherine Bernard
2014, pp.n°63/2, 2010, 242-244
Other publications
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“‘It was the worst of times, it was the worst of times. Again’: Representing the Body Politic after Brexit,”
Catherine Bernard
Etudes Britanniques contemporaines , 2019, Narrative Democracy, 57
Journal articles
hal-03572494v1
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Matière à réflexion. Du corps politique dans la littérature et les arts visuels britanniques contemporains.
Catherine Bernard
Presses de l'université Paris Sorbonne, 2018
Books
hal-03572570v1
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“Translation / Transport in Flush and Other Hybrids: Virginia Woolf’s Ethics of Cultural Displacement”
Catherine Bernard
Claire Davison et Anne-Marie Di Biasio (eds.). Trans-Woolf: Thinking across Borders , Morlacchi Editore, pp.23-42, 2017, European Modernism series
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“The Barest of Lives: Looking at War from the Heart of Things in Harry Parker’s Anatomy of a Soldier (2016)”
Catherine Bernard
Études britanniques contemporaines - Revue de la Société dʼétudes anglaises contemporaines , 2017, “Bare Lives”, 53
Journal articles
hal-02459553v1
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Matière à réflexion. Du corps politique dans la littérature et les arts visuels britanniques contemporains.
Catherine Bernard
Presses Universitaires Paris Sorbonne.
, 2018, Mondes anglophones, 979-10-231-0596-4
Books
hal-01883871v1
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“Commitment / L’engagement”
Catherine Bernard
, n°50, 2016, Etudes britanniques contemporaines
Books
halshs-01372942v1
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“Vibrant Allegories: Questioning Immunity with Ali Smith’s Seasonal Quartet (2016-2020)
Catherine Bernard
Etudes Anglaises , In press, Epidemic Notions
Journal articles
hal-03572553v1
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Ubiquitous Visuality: Introduction
Catherine Bernard
InMedia : the French Journal of Media and Media Representations in the English-Speaking World , 2020, Ubiquitous Visuality: Towards a Pragmatics of Visual Experience, 8 (1)
Journal articles
hal-03572529v1
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“British Literature in the Present”
Catherine Bernard
, n°45, 2013, Etudes britanniques contemporaines
Books
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“Re-imagining Art’s Body Politic after / with Modernism :Views from the Digital Scene and More
Catherine Bernard
Alcinde Pinheiro de Sousa, Alda Correia, Angélica Varandas, Maria de Jesus C. Relvas. English Literature in the World. From Manuscript to Digital , pp.197-211, 2020
Book sections
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Ubiquitous Visuality. Towards a Pragmatics of Visual Experience
Catherine Bernard
,
Clémence Folléa
InMedia : the French Journal of Media and Media Representations in the English-Speaking World , 8 (1), 2020
Special issue
hal-03572582v1
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“Re-affecting Vision: the Body Politic of Contemporary English Art
Catherine Bernard
European Society for the Study of English , University of Brno, Aug 2018, Brno, Czech Republic
Conference papers
hal-03979052v1
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Virginia Woolf, “Julia Margaret Cameron, ”traduction et notes.
Catherine Bernard
2021
Translation
hal-03978938v1
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“Crossings / Traversées”
Catherine Bernard
n°48, 2015, Etudes britanniques contemporaines
Books
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« Faire corps : pensée, pratique et expériences limites de l’art »
Catherine Bernard
Laurence Corbel et Agnès Lontrade La critique : art et pratique , Presses universitaires du Midi pp.147-156, 2016
Book sections
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“Deller, Wallinger, Wearing: Towards an Ethics of Visual Interpellation”
Catherine Bernard
Ethics of Alterity, Confrontation and Responsibility in 19th to 21st Centuries British Art , Presses Universitaires de la Méditerranée, pp.265-276, 2015, Ethics of Alterity, Confrontation and Responsibility in 19th to 21st Centuries British Art
Book sections
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Virginia Woolf, "Women and Fiction”, Traduction et notes. Essai introductif du volume des nouvelles de Virginia Woolf
Catherine Bernard
2018
Translation
hal-03978924v1
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“The Readymade and After”
Catherine Bernard
Modernist Society Association , Aug 2017, Amsterdam, Netherlands
Conference papers
hal-03979039v1
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“Rethinking Originality / Making Us See: Contemporary Art’s Strategic Transpositions”
Catherine Bernard
Sonya Stephens (ed.). Translation and the Arts in Modern France , University of Indiana Press, pp.237-247, 2017
Book sections
hal-02459603v1
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“In the Turbine of Experimentation: Tate Modern and the New (?) Rationale of Collective Performance”
Catherine Bernard
Angles: French Perspectives on the Anglophone World , 2018, "French Perspectives on Experimental Art"
Journal articles
hal-02459563v1
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« Âmes sensibles s’abstenir : violence à / de l’art contemporain. À propos de Gillian Wearing, Damien Hirst, les frères Chapman & co. »
Catherine Bernard
Sillages Critiques , 2017, « Écriture de la violence », 22
Journal articles
hal-02459539v1
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“Modernity’s Sylvan Subjectivity, from Gainsborough to Gallaccio”
Catherine Bernard
Julian Wolfreys (ed.). New Critical Thinking. Criticism to Come , Edinburgh University Press, pp.36-49, 2017
Book sections
hal-02459598v1
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“Writing Capital, or, John Lanchester’s Debt to Realism”
Catherine Bernard
Etudes Anglaises , 2015, n°68 (2), pp.143-155
Journal articles
halshs-01372944v1
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