Skip to Main content Skip to Navigation
New interface
Book sections

Le son du rituel au risque de l’électroacoustique

Abstract : Ritual and music are both types of performances where sound and space are put together, complementary, structurally, or in conflict. But all these built, transmitted relations, including Urbi and Orbi benediction and secret spells, are put inside out by the use of electronics for amplification, recording or transmission of sound. Examples will be taken from Gnawa in Morocco, TIbetan monks from Nepal, and the Holly Week in Compostella, Spain. Theory of sound, through the notion of soundscape, will be used, but even more the theory of sound developped by Michel Chion.
Document type :
Book sections
Complete list of metadata

Cited literature [11 references]  Display  Hide  Download

https://shs.hal.science/halshs-01154838
Contributor : François Picard Connect in order to contact the contributor
Submitted on : Sunday, May 24, 2015 - 5:28:49 PM
Last modification on : Wednesday, September 28, 2022 - 4:20:10 PM
Long-term archiving on: : Thursday, April 20, 2017 - 8:04:10 AM

File

Picard OMF Son du rituel.pdf
Explicit agreement for this submission

Identifiers

  • HAL Id : halshs-01154838, version 1

Citation

François Picard. Le son du rituel au risque de l’électroacoustique. Nathalie Ruget. Religiosité et Musique au XXe siècle, Observatoire Musical Français, 2008. ⟨halshs-01154838⟩

Share

Metrics

Record views

292

Files downloads

183