From Public Stage to Private Court: The Representation of the King in the Parisian Version of Minato/Cavalli’s Xerse (1660) - HAL-SHS - Sciences de l'Homme et de la Société Accéder directement au contenu
Communication Dans Un Congrès Année : 2014

From Public Stage to Private Court: The Representation of the King in the Parisian Version of Minato/Cavalli’s Xerse (1660)

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halshs-01668870 , version 1 (20-12-2017)

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  • HAL Id : halshs-01668870 , version 1

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Barbara Nestola. From Public Stage to Private Court: The Representation of the King in the Parisian Version of Minato/Cavalli’s Xerse (1660). The power of affections: Poetry, Music, and Spectacle in Seventeenth-Century Italian Opera Librettos , Center for Italian Studies and the Music Department of the University of Pennsylvania, Institute for Music of the Fondazione Giorgio Cini in Venice, Italy, Nov 2014, Philadelphia, United States. ⟨halshs-01668870⟩
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