Cinephilia History or Historicity Of Film Connoisseurship ? Rethinking The Authority Of "Ordinary" Connoisseurs' Discourses On Quality Of Movies In Media History Research
Résumé
This communication maps these recent developments of the social sciences and their heuristic cross-connections to the media history and film studies research methodologies. We argue history of cinephilia can be seen as the history of an ordinary knowledge and a socialization process about movies never totally stabilized and needing to be studied in its process of stabilization. We could finally consider major lines of re-assessment by sociologists studying the arts considering it to movies appraisal: firstly, a reconsideration of the relationship between sociological and other disciplinary approaches to film criticism; and secondly, the term of “social construction” for the movie appraisal process understood through when Norbert Elias worked on social construction of talent (Elias, 1993) as per cultural economists or sociologists and, finally, the sociology of the criticism conceived as a contingent social fact.
Mots clés
Appraisal processes
Appraisal discourse
Cognitive Appraisal
Historicity of perception
moviegoing
Media Studies
Cultural sociology
Experts and novices
movie experience
sociology
quality of movies
Quality Award
Cinephilia
Quality Criteria
Quality Indicators
Quality Methods
Quality measure
Historicity of meaning
Historicity of scientific contents
Origine | Fichiers produits par l'(les) auteur(s) |
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