"Pinocchio", de J. Pommerat et Ph. Boesmans (208-2017) : être, devenir
Résumé
Joël Pommerat’s play Pinocchio (Paris, 2008) is inspired by Collodi’s and Commencini‘s works. Then, Pommerat adapted it into opera with Philippe Boesmans (Aix-en-Provence, 2017). In this theatrical combination, could Pinocchio’s adventures reflect the artistic progress, from initiation to masterpieces, through lies and disobedience, in search of truth?
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