Prototypes et formes de la provocation et de l’innovation au prisme du genre : de l’idéologie du corps à l’engagement créatif
Résumé
The question in debate, in this paper, is the understanding of the dilemma between the aesthetic expressivity of the body (rituals, symbolization) versus the intellec- tualization of the artwork. The innovation is a cognitive and social activity: to reach an originality and an expressivity means to get a mind construction of a personal device and repertoire including and subliming the past cultural models and influ- ences. First, why to link all the creative activity to the identity obsession? What is the matter to solve for an emergent musician even when he/she actively put for- ward identity claims? Should he/she “defend” his or her sexual status and conse- quently, his/her minority membership and broadcasting his/her political propa- ganda? Secondly, what are the reasons of the reproduction of many aesthetic pro- vocative models? Can we consider, for example, the punk or hip-hop provocation as an easy packaging, stereotyped, and pre-coded rebellion? Is the research of the social incomparability a regular way of the amateurs to support and to sell their creativity?