Prototypes et formes de la provocation et de l’innovation au prisme du genre : de l’idéologie du corps à l’engagement créatif - HAL-SHS - Sciences de l'Homme et de la Société
Chapitre D'ouvrage Année : 2024

Prototypes et formes de la provocation et de l’innovation au prisme du genre : de l’idéologie du corps à l’engagement créatif

Résumé

The question in debate, in this paper, is the understanding of the dilemma between the aesthetic expressivity of the body (rituals, symbolization) versus the intellec- tualization of the artwork. The innovation is a cognitive and social activity: to reach an originality and an expressivity means to get a mind construction of a personal device and repertoire including and subliming the past cultural models and influ- ences. First, why to link all the creative activity to the identity obsession? What is the matter to solve for an emergent musician even when he/she actively put for- ward identity claims? Should he/she “defend” his or her sexual status and conse- quently, his/her minority membership and broadcasting his/her political propa- ganda? Secondly, what are the reasons of the reproduction of many aesthetic pro- vocative models? Can we consider, for example, the punk or hip-hop provocation as an easy packaging, stereotyped, and pre-coded rebellion? Is the research of the social incomparability a regular way of the amateurs to support and to sell their creativity?
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halshs-04612150 , version 1 (14-06-2024)

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Jean-Marie Seca. Prototypes et formes de la provocation et de l’innovation au prisme du genre : de l’idéologie du corps à l’engagement créatif. Viviane Waschbüsch; Gesine Schröder; Jean-Marie Seca; Catherine Deutsch. Regards croisés franco-allemands sur les musiciennes – Französisch-deutsche Musikerinnen-Forschung, ouvrage en ligne, Tome 1, CIERA, pp.265-286, 2024. ⟨halshs-04612150⟩
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