Vocabulary to speak about touch: analysis of the discourse of electric guitar players
Paul Cambourian
(1, 2)
,
Arthur Paté
(1, 2)
,
Caroline S. Cance
(3)
,
Benoît Navarret
(4)
,
Jerome O. Vasseur
(1, 2)
Paul Cambourian
- Fonction : Auteur
- PersonId : 1091471
Arthur Paté
- Fonction : Auteur
- PersonId : 751673
- IdHAL : parthurp
- ORCID : 0000-0001-7006-1325
- IdRef : 183653599
Caroline S. Cance
- Fonction : Auteur
- PersonId : 8021
- IdHAL : caroline-cance
- ORCID : 0000-0002-8296-684X
- IdRef : 131853082
Jerome O. Vasseur
- Fonction : Auteur
- PersonId : 747758
- IdHAL : jerome-olivier-vasseur
Résumé
This work presents a multidisciplinary approach to vibrotactile perception, applying linguistic methods to musical acoustics. We are interested more particularly in the sense of touch as a part of the multisensory experience of playing a musical instrument. Six words and their inflections are chosen from the literature in musical acoustics dealing with vibrotactile perception: "comfort", "dynamics", "response", "feeling", "touch" and "vibration". Their use by musicians in playing situation is analyzed. The data used in this article comes from transcripts of two previous studies, conducted in French with professional guitarists natively speaking French. The linguistic analysis of the corpus is based on different features which help to categorize the utterances according to each observed parameter, namely the relationship with the sense of touch, the object that is qualified by the words under study and the implication in discourse of the interviewee. The results permit to understand the use of the six categories of words in relationship with the sense of touch, and provide perspectives to use some of these words to focus the discourse on the sense of touch in future studies.
Format du dépôt | Fichier |
---|---|
Type de dépôt | Article dans une revue |
Titre |
en
Vocabulary to speak about touch: analysis of the discourse of electric guitar players
|
Résumé |
en
This work presents a multidisciplinary approach to vibrotactile perception, applying linguistic methods to musical acoustics. We are interested more particularly in the sense of touch as a part of the multisensory experience of playing a musical instrument. Six words and their inflections are chosen from the literature in musical acoustics dealing with vibrotactile perception: "comfort", "dynamics", "response", "feeling", "touch" and "vibration". Their use by musicians in playing situation is analyzed. The data used in this article comes from transcripts of two previous studies, conducted in French with professional guitarists natively speaking French. The linguistic analysis of the corpus is based on different features which help to categorize the utterances according to each observed parameter, namely the relationship with the sense of touch, the object that is qualified by the words under study and the implication in discourse of the interviewee. The results permit to understand the use of the six categories of words in relationship with the sense of touch, and provide perspectives to use some of these words to focus the discourse on the sense of touch in future studies.
|
Auteur(s) |
Paul Cambourian
1, 2
, Arthur Paté
1, 2
, Caroline S. Cance
3
, Benoît Navarret
4
, Jerome O. Vasseur
1, 2
1
IEMN -
Institut d’Électronique, de Microélectronique et de Nanotechnologie - UMR 8520
( 1066983 )
- [Univ. Lille, CNRS, Centrale Lille Institut, Junia, Univ. Polytechnique Hauts-de-France] ––
Laboratoire Central – Cité Scientifique – Avenue Poincaré – CS 60069 – 59652 VILLENEUVE D’ASCQ CEDEX
- France
2
ACOUSTIQUE - IEMN -
Acoustique - IEMN
( 1067378 )
- Groupe Acoustique - (Acoustic Group) -
JUNIA - 41 Bd Vauban - 59800 LILLE
- France
3
LLL -
Laboratoire Ligérien de Linguistique
( 243264 )
- UFR LLSH-Université d'Orléans BP 46527 45065 Orléans cedex 2
- France
4
IReMus -
Institut de Recherche en Musicologie
( 542254 )
- Bibliothèque Nationale de France
Quai François Mauriac
75706 PARIS CEDEX 13
- France
|
Langue du document |
Anglais
|
Nom de la revue |
|
Vulgarisation |
Non
|
Comité de lecture |
Oui
|
Audience |
Internationale
|
Date de publication |
2022
|
Date de publication électronique |
2022-01-12
|
Volume |
6
|
Page/Identifiant |
2
|
Licence |
Paternité
|
Financement |
|
Domaine(s) |
|
DOI | 10.1051/aacus/2021052 |
UT key WOS | 000741679100002 |
Origine :
Publication financée par une institution
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