Ethniktag, everchanging understanding
Résumé
Our study of "Ethniktag" uses a semiotic approach of interactive communication through the evolutionary reconstruction of signification. We focus on the various possibilities of perception and evolution of "the plastic signifiant". Firstly we are going to define the artistic expression "Ethniktag" and its evolutionary construction. Then, we will study the use of these productions on the Web 2.0 by working on the functions of two Blogs:
http://maddart.blogspot.com
http://traddam.blogspot.com
Ethniktag is an artistic expression mixing Tag and Graf with an ethnic plastic art, inscriptions in acrylic, drawings and graphs close to the writing are scrawled on a non-urban medium: cloth attached to wood.
Ethniktag is a conception of art, developing a construction that relies on mathematical, geometrical and topological articulations (addition, multiplication, subtraction, division, rotation, removal...) in order to form symmetric, asymmetric, almost crystalline, asymptotic figures.
This conceptual art establishes a "signifiant pluriel" evolving in 5 stages: 1st" the modus operandi", 2nd "l'empreinte" (the imprint), 3rd "les chorégraphies picturales" (the pictorial choreographies), 4th"le montage plastique virtuel" (the virtual plastic editing) by using mathematical and geometrical rules, and finally"le montage plastique réel" (the real plastic editing) by the application of mathematical and topological rules.
http://maddart.blogspot.com
http://traddam.blogspot.com
Ethniktag is an artistic expression mixing Tag and Graf with an ethnic plastic art, inscriptions in acrylic, drawings and graphs close to the writing are scrawled on a non-urban medium: cloth attached to wood.
Ethniktag is a conception of art, developing a construction that relies on mathematical, geometrical and topological articulations (addition, multiplication, subtraction, division, rotation, removal...) in order to form symmetric, asymmetric, almost crystalline, asymptotic figures.
This conceptual art establishes a "signifiant pluriel" evolving in 5 stages: 1st" the modus operandi", 2nd "l'empreinte" (the imprint), 3rd "les chorégraphies picturales" (the pictorial choreographies), 4th"le montage plastique virtuel" (the virtual plastic editing) by using mathematical and geometrical rules, and finally"le montage plastique réel" (the real plastic editing) by the application of mathematical and topological rules.
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