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Chapitre d'ouvrage Année : 2017

Cinematic topographies and the 24-hour CyCle

Résumé

How does a film enter a city? This question, seemingly absurd, identifies a formal problem with which narrative fiction films have struggled since the early days of cinema. How does a film, in its opening moments, establish the magnitude of urban space, of the city as a whole? And then, having done this, how does a film move into the city, to find the human scale at which narratives typically unfold? In the course of the cinema’s history, a variety of conventions have evolved to meet this challenge.
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Cinematic topographies and the 24-hours cycle, Straw W., 2017, in Gwiazdzinski L., Drevon G., Klein O., Chronotopies. Lecture et écriture des mondes en mouvement, pp.8-13, Elya Editions.pdf pp.32-41, 2017, ElyaEditions.pdf ( 346.78 Ko ) Télécharger
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halshs-01710520, version 1 (16-02-2018)

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  • HAL Id : halshs-01710520 , version 1

Citer

Will Straw. Cinematic topographies and the 24-hour CyCle. Gwiazdzinski L,; Drevon G.; Klein O. Chronotopics. Readings and Writings on a world in Movement , Elya Editions pp.32-41, 2017, 979-10-91336-07-9. ⟨halshs-01710520⟩
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