This paper focuses on ‘Deaf listening’ and more specifically on the involvement of the body in the Deaf musical experience. More precisely, it proposes to consider the sono-sensitive qualities of the body, from the Deaf experience, and by the investigation of a fundamental principle of the human experience: the ‘corpaurality’. On the other hand, they are the natural modalities of Deaf hearing that will be discussed here, modalities which, detached from the ordinary aural perceptions, position the body at the center of the musical experience.