The paper studies the artistic representations of humans playing with bulls in Eurasia. It considers Neolithic representations of Chatal-Höyük, as well as Bronze Age Levant, Middle East, Indus (seals), and Central Asia (seal, petroglyphs). The proposed interpretation is related to plays and games with bulls, bull-leaping, tauromachy considered as mock hunts, rather as sports, possibly ritual. Representations occurring inside constructed cultural spaces are especially important in a time of domestications of wild species of bovids. It is suggested that this change is connected with sedentism, with the appearance of narration, and with symbolism in art.