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Chapitre d'ouvrage Année : 2022

Anatolian Musicians in Europe: Creation, Political Engagement, Transformation

Résumé

The history of the exile of Anatolian musicians begins in the early twentieth century in countries like Germany, Austria, and Belgium, where there are significant Anatolian communities. It was not until the 2000s, however, that more diverse musical groups began to circulate in Western Europe. In the past, bands in Europe had been confronted with boundaries set by communities and by diasporic political groups, which remained community-based, and which had no significant ties to European cultural and political activities even though they had lived there for a long time. The migratory routes of young musicians of Anatolian origins, exiles, second- or third-generation descendants of refugees, increasingly challenge the boundaries of ethnic, political, and territorial affiliations. They cut across the different political, social and cultural movements, networks, and milieus: feminist, Kurdish, Armenian, LGBTIQ, environmental, and anarchist. This indicates important changes in the musical creation of the young Anatolian exiles in Europe and in their social and political positionings. What explains these shifts and how are they characterized? Why are we specifically citing a generation of young musicians? This study examines the interweaving of the dynamics of social struggle innovation and the constitution of transnational artistic and political networks.
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Dates et versions

halshs-03791316, version 1 (29-09-2022)

Identifiants

  • HAL Id : halshs-03791316 , version 1

Citer

Pinar Selek. Anatolian Musicians in Europe: Creation, Political Engagement, Transformation. Pénélope Larzillière. The Global Politics of Artistic Engagement, BRILL, 2022, 978-90-04-51844-5. ⟨halshs-03791316⟩
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Dernière date de mise à jour le 28/04/2024
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