Fabry Garat (1774-after 1825), his portrait, his lyre-guitar: Parisian anticomania from Madame Vigée-Lebrun’s « Greek supper » to the travels of the « Lyre of Anacreon » in Spain and Russia - HAL Accéder directement au contenu
Communication dans un congrès Année : 2022

Fabry Garat (1774-after 1825), his portrait, his lyre-guitar: Parisian anticomania from Madame Vigée-Lebrun’s « Greek supper » to the travels of the « Lyre of Anacreon » in Spain and Russia

Résumé

The tenor Fabry Garat, brother of the famous baritone Pierre Garat (1764-1823), left about fifty collections of romances, a lyre-guitar built for him by Ignace Pleyel in 1809, and a very beautiful portrait of him painted in 1808 by Adèle Romany (1769-1846), who exhibited it at the Salon in the Louvre. We will show how exceptional portraits of women with lyre-guitars, a multitude of anacreontic romances, and a prolific and short-lived musical press celebrate this salon anticomania initiated in 1788 by Madame Vigée-Lebrun during her famous "Greek supper".
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halshs-04019455, version 1 (08-03-2023)

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  • HAL Id : halshs-04019455 , version 1

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Florence Gétreau. Fabry Garat (1774-after 1825), his portrait, his lyre-guitar: Parisian anticomania from Madame Vigée-Lebrun’s « Greek supper » to the travels of the « Lyre of Anacreon » in Spain and Russia. 21st Quinquennial Congress of the International Musicological Society (IMS), RIDIM Session The Afterlife of Antiquity in Music Iconography Research,, Athens School of Philosophy - Répertoire international d'iconographie musicale, Aug 2022, Athenes, Greece. ⟨halshs-04019455⟩
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